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After Belgian electro-samba wunderkindsAntenasplit at the end of 1985, singerIsabelle Antenaimmediately shed her cold wave crown for a sophisticated pop princess tiara. On 1986’s Martin Hayles-produceden Cavale, echos ofMadonnaand city pop abound, with a lipstick stain of L80s Euro dance and spilled cosmopolitan’s worth of bossa nova stirred in for good measure. This elegant second chapter of a French pop diva has been expanded to includeAntena’sshelved Island Records demo, adjacent B-sides and rarities, plus an expansive essay and previously unpublished photographs.
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